Film crew fundamentals of professional film and video production pdf

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film crew fundamentals of professional film and video production pdf

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fundamentals in film and video production

To browse Academia. Skip to main content. By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. Log In Sign Up. Download Free PDF. Stany Fernando. Download PDF. A short summary of this paper. Fundamentals of Film Direction. The pressure of having the whole process up until the screening and afterwards is just u a , ut that s the fu pa t of ei g Fil Di e to.

If anything goes sideways ou e the o e ho should e espo si le a d the o e to a s e. But ostl this positio depe ds on Collaboration. Without the ability to collaborate a d o u i ate ou o t ake it th ough.

If ou ha e the skill to u a eati e sheep of flo k i the ight path ou e the pe fe t gu fo the jo. Whe ou hoose a sto , it does t atte ho ge ius it s goi g to e, of ou se it s o ious that if the audience are going to like it or not but what matters most is if you as the director feeling connected through an emotional way; because if you can feel the story through your heart, you already know how it will turn out once you start dreaming about it.

Present a Fresh Take The writer has done a fantastic job on doing his part, bringing a blank paper into life, now It's your job to breathe life into it and make it visually impeccable by presenting a fresh take. Iron Man is a good example; when Robert Downey Jr. Sa e goes for e er other Mar el Movies and its Characters.

Since we are discussing about Film here, if you happen to find powerful moments in a screenplay revolve around it. AGU V. God, there is nothing to be keeping you from watching what we are doing.

They flip open an armoire. A quiet settles over the room as Hope and Griot take a moment to look at what they have found. Agu looks at them, his eyes, so high, seem to float on his shoulders. AGU Mother? Hope looks at Agu, amused. Agu moves to hug her. The women turn in fear just as Agu reaches to hug her.

It is not Mother. The girl is also emaciated, her knees like jutting knobs. Agu hugs the women anyway. They scream, shrinking away from Agu. I am not He realizes they are not his Mother and Sister, their fear angers him.

He grabs them, pulling at their clothes. And you, you are not my sister! They continue screaming. The woman clasps her hands together, tears all over her face. Please Lord I am begging to You. Devil born you! Griot holds her down. Strika holds her down, and so does Agu as Hope unzips his pants. AGU Devil is not blessing me. Shut up! Agu falls back with the girl, then drags her light body away from her mother. Griot gets his soldier ready to rape the mother. Agu walks to her, and at point blank, raises his rifle and dispatches the Mother with a bullet to her head.

In any case each film has its own powerful moment, look for them. But the point being is that, once you find a perfect story it will stick with you and automatically it will lead you to day dream; keep up with it, mark them down if possible and work around it.

Trust your Own Instincts I ot sa i g ou to o pletel de othe s suggestio , ut so eti es it s ha d he ou let othe s loud ou eati e isio. I that o e t take othe s suggestio s as otes a d start putting your suggestions forward; compare them with others, you should know what would you expect as an Audience, put yourself in their shoes, then your instincts will start kicking in.

Formula The Script Don't try to guess what it is people want and give it to them. Don't ask for a show of hands. Try your best to write what you like, what you think your friends would like and what you think your father would like and then cross your fingers The most valuable thing you have is your own voice. Aaron Sorkin Ask Questions Ok let s just sa ou e do e eadi g a s ee pla , a eall good o e a d ou feel o e ted i so e way and you have the rush to get it out to the public.

Is it being answered? Just keep asking thousands of questions regarding the script to yourself, be doubtful about yourself in a positive manner. Rate the Key Components Analyse the Genre Ea h sto has a e tai t pe, o p ofessio all alli g it as the Ge e a d ea h of these ge es have its own ethics make sure it follows them and presents a fresh take to push the boundaries of those ethics further.

Whe ou st u tu i g a sto ; ake su e it s a page tu e filli g the gaps ith t ists a d suspense in an appropriate manner and places. At that ti e e e o e laughed e ause the thought it as a s ooth joke deli e ed u de pe fe t ti i g ut thi ki g a out it fu the it s a tuall ge ius, because most majority of TV shows and Movies in general does the same and it worked, except for [SPOILER!!!

George R. R Martin and HBO, not cool man Witness the exact moment here Not the Game of Thrones one though E3 Coliseum: A Conversation with Hideo Kojima and Jordan Vogt-Roberts Majority of Audience will know how the story will end, but as a storyteller we have to find a way to put them off balance. They usually have a beginning that never stops Steven Spielberg Many film directors and theorists suggest that there is no one better than Steven Spielberg himself to craft each scene using 3-Act Structure.

I have simplified the definition of 3-Act Structure in one of my publications on Screenwriting. A good story works in sequences. The Sequences have their own Beginning, Middle and the End; if you managed to arrange and manipulate these Beginning, Middle and the End accordingly it will pull the audience along.

The fi st ti e he e e ou e telli g it to so eo e e e tuall ou ill iss out fe thi gs off, ou ll add up thi gs fo the sake of heighte the moment and bring your listeners to the edge of your seat. It will be messy but when you tell it for the 12th ti e, it s goi g to e lot o e diffe e t tha o pa ed to he e ou sta ted out. It ill e better, clearer and more understandable, and most importantly it will be in a certain order.

Director is the Keeper of the Story As the director you are the CEO, you have to take responsible for every step your project is going to take while o i g fo a d.

As the keepe of the sto it s ou espo si le to appl e t e e s uti to the script and the story. Act it out The best way to test out if the screenplay has a flow or to see if it works is to act it out loud. You can either hire actors or call out a few friends you trust or any family members and do a little read out and a drama and see how it turns out. Record and Play it back Best thi g to do if ou e ot i a situatio he e ou ould t affo d a a to s is to gathe a fe trusted friends or family members read the script out loud and record it and play it back again and listen.

Force your audience for honest opinions Al a s fo e a d push ou audie e to p o ide the ith a ho est feed a k, does t atte If it s ad o good, do t let it get to ou.

Be ause it s ette to get su h feed a ks ea l o athe than half way through the process. Rewrites Involve yourself in Rewrites This is o e of fa ou ite pa ts of the de elop e t p o ess. Engage in the Excitement Understand your Excitement It is vital to dream out your entire movie or television show during this process.

Also, while you do this the e ite e t ight f eak ou out ut do t pa i , go ith the flo a d keep a al si g the excitement. While going through your over joys of excitement during the rewrites make sure other collaborators understands your excitement.

Formula The Development Let s just p esu e ou e passed o e of the toughest stages of Filmmaking, the Writing. Development hell is when a hired writer involves and dedicates his or her time for the project.

Also, de elop e t hell is he e ost p oje t die, a d it s hea t-breaking. Check out this Example Article from DigitalSpy 11 major movies still stuck in development hell When a film is in development but never receives the necessary production funds, another studio may execute a turnaround deal and produce the film to make it successful.

An example of this is when Columbia Pictures developed, but then stopped production of E. Universal Pictures then picked up the film and made it a success.

If a studio completely abandons a film project, the costs are written off as part of the studio's overhead. Sometimes studios or producers will deliberately halt production in order to stop competition on a different project, or to ensure that people invested will be available for other projects that the studio prefers. Location will influence the look and feel of the story. Mostly the fu ds ill e go e if the p oje t i ol es uildi g sets.

But that does t ea ou ha e to save in that if the look and feel is important for the project you can invest as much as you want. Production Manager is Vital Talk to your production manager like you talk to yourself.

Explain to him or her how you envisioned this he ou e e eadi g o iti g the p oje t. It s al a s ital to ha e a lose elatio ship ith your Production manager if he or she able to understand your vision completely. Because p odu tio a age s de isio ill de ide the the e of ou p oje t. Basi all , s hedule is he e ou dete i e ho lo g it s goi g to fi ish the shoot.


These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed " into a visible image. The images on the film stock are projected for viewing the motion picture. Cinematography finds uses in many fields of science and business as well as for entertainment purposes and mass communication. In the s, three different solutions for moving images were invented on the concept of revolving drums and disks, the stroboscope by Simon von Stampfer in Austria, the phenakistoscope by Joseph Plateau in Belgium, and the zoetrope by William Horner in Britain.

There are many aspects involved in creating a visually aesthetic and effective video or film. Cinematography, in particular, is a fundamental element to the process, and if given the appropriate planning, time, and thought, can ensure the finished product has a lasting impact. Lighting is one of the key factors involved in effective cinematography, and understanding the principles behind it can assist in ensuring high-quality results from whatever content is being created. Lighting is important in video and film production because cameras do not respond to lights in the same way that the human eye does. The finite detail and lighting contrasts a human eye can see are incredibly developed, and cameras cannot process or pick up on this as well. The correct lighting can determine the mood of the scene and can evoke a more dramatic or subtle palette for the film.

Get It on Paper. Fundamentals of Cameras and Camerawork their introductory projects—whether within the context of a first-year video pro- The director is the creative boss of the film crew, and though different theories ascribe to.


Filmmaking or, in any context, film production is the process by which a film is made. Filmmaking involves a number of complex and discrete stages including an initial story, idea, or commission, through screenwriting , casting , shooting, sound recording and pre-production , editing , and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking takes place in many places around the world in a range of economic, social, and political contexts, and using a variety of technologies and cinematic techniques.


  • In the Bachelor of Arts in Film, students learn the foundations of visual storytelling, skills that can be applied to any field. Charmaine C. - 20.11.2020 at 16:55